Monday 18 June 2012

small spin side

small spin side by alisa miller
small spin side, a photo by alisa miller on Flickr.

Friday 15 June 2012

The Murmur of a Summer's Day


The Scholar-Gipsy by Matthew Arnold

Go, for they call you, shepherd, from the hill.
Go, shepherd, and untie the wattled cotes!
No longer leave thy wistful flock unfed
Nor let thy bawling fellows rack their throats
Nor the cropp'd herbage shoot another head.
But when the fields are still,
And the tired men and dogs all gone to rest,
And only the white sheep are sometimes seen
Cross and recross the strips of moon-blanch'd green.
Come, shepherd, and again begin the quest!

Here, where the reaper was at work of late
In this high field's dark corner, where he leaves
His coat, his basket, and his earthen cruse,
And in the sun all morning binds the sheaves,
Then here, at noon, comes back his stores to use
Here will I sit and wait,
While to my ear from uplands far away
The bleating of the folded flocks is borne,
With distant cries of reapers in the corn
All the live murmur of a summer's day.
Screen'd is this nook o'er the high, half-reap'd field,
And here till sun-down, shepherd! will I be.
Through the thick corn the scarlet poppies peep,
And round green roots and yellowing stalks I see
Pale pink convolvulus in tendrils creep
And air-swept lindens yield
Their scent, and rustle down their perfumed showers
Of bloom on the bent grass where I am laid,
And bower me from the August sun with shade
And the eye travels down to Oxford's towers.
And near me on the grass lies Glanvil's book
Come, let me read the oft-read tale again.
The story of the Oxford scholar poor,
Of pregnant parts and quick inventive brain,
Who, tired of knocking at preferment's door,
One summer-morn forsook
His friends, and went to learn the gipsy-lore,
And roam'd the world with that wild brotherhood,
And came, as most men deem'd, to little good,
But came to Oxford and his friends no more.
But once, years after, in the country-lanes,
Two scholars, whom at college erst he knew,
Met him, and of his way of life enquired
Whereat he answer'd, that the gipsy-crew,
His mates, had arts to rule as they desired
The workings of men's brains,
And they can bind them to what thoughts they will.
"And I," he said, "the secret of their art,
When fully learn'd, will to the world impart
But it needs heaven-sent moments for this skill."
This said, he left them, and return'd no more.
But rumours hung about the country-side,
That the lost Scholar long was seen to stray,
Seen by rare glimpses, pensive and tongue-tied,
In hat of antique shape, and cloak of grey,
The same the gipsies wore.
Shepherds had met him on the Hurst in spring
At some lone alehouse in the Berkshire moors,
On the warm ingle-bench, the smock-frock'd boors
Had found him seated at their entering,
But, 'mid their drink and clatter, he would fly.
And I myself seem half to know thy looks,
And put the shepherds, wanderer! on thy trace
And boys who in lone wheatfields scare the rooks
I ask if thou hast pass'd their quiet place
Or in my boat I lie
Moor'd to the cool bank in the summer-heats,
'Mid wide grass meadows which the sunshine fills,
And watch the warm, green-muffled Cumner hills,
And wonder if thou haunt'st their shy retreats.
For most, I know, thou lov'st retired ground.
Thee at the ferry Oxford riders blithe,
Returning home on summer-nights, have met
Crossing the stripling Thames at Bab-lock-hithe,
Trailing in the cool stream thy fingers wet,
As the punt's rope chops round
And leaning backward in a pensive dream,
And fostering in thy lap a heap of flowers
Pluck'd in shy fields and distant Wychwood bowers,
And thine eyes resting on the moonlit stream.
And then they land, and thou art seen no more.
Maidens, who from the distant hamlets come
To dance around the Fyfield elm in May,
Oft through the darkening fields have seen thee roam,
Or cross a stile into the public way.
Oft thou hast given them store
Of flowers--the frail-leaf'd, white anemony,
Dark bluebells drench'd with dews of summer eves,
And purple orchises with spotted leaves
But none hath words she can report of thee.
And, above Godstow Bridge, when hay-time's here
In June, and many a scythe in sunshine flames,
Men who through those wide fields of breezy grass
Where black-wing'd swallows haunt the glittering Thames,
To bathe in the abandon'd lasher pass,
Have often pass'd thee near
Sitting upon the river bank o'ergrown
Mark'd thine outlandish garb, thy figure spare,
Thy dark vague eyes, and soft abstracted air
But, when they came from bathing, thou wast gone!
At some lone homestead in the Cumner hills,
Where at her open door the housewife darns,
Thou hast been seen, or hanging on a gate
To watch the threshers in the mossy barns.
Children, who early range these slopes and late
For cresses from the rills,
Have known thee eyeing, all an April-day,
The springing pasture and the feeding kine
And mark'd thee, when the stars come out and shine,
Through the long dewy grass move slow away.
In autumn, on the skirts of Bagley Wood
Where most the gipsies by the turf-edged way
Pitch their smoked tents, and every bush you see
With scarlet patches tagg'd and shreds of grey,
Above the forest-ground called Thessaly
The blackbird, picking food,
Sees thee, nor stops his meal, nor fears at all
So often has he known thee past him stray,
Rapt, twirling in thy hand a wither'd spray,
And waiting for the spark from heaven to fall.
And once, in winter, on the causeway chill
Where home through flooded fields foot-travellers go,
Have I not pass'd thee on the wooden bridge,
Wrapt in thy cloak and battling with the snow,
Thy face tow'rd Hinksey and its wintry ridge?
And thou has climb'd the hill,
And gain'd the white brow of the Cumner range
Turn'd once to watch, while thick the snowflakes fall,
The line of festal light in Christ-Church hall
Then sought thy straw in some sequester'd grange.
But what--I dream! Two hundred years are flown
Since first thy story ran through Oxford halls,
And the grave Glanvil did the tale inscribe
That thou wert wander'd from the studious walls
To learn strange arts, and join a gipsy-tribe
And thou from earth art gone
Long since, and in some quiet churchyard laid
Some country-nook, where o'er thy unknown grave
Tall grasses and white flowering nettles wave
Under a dark red-fruited yew-tree's shade.
No, no thou hast not felt the lapse of hours
For what wears out the life of mortal men?
'Tis that from change to change their being rolls
'Tis that repeated shocks again, again
Exhaust the energy of strongest souls
And numb the elastic powers.
Till having used our nerves with bliss and teen
And tired upon a thousand schemes our wit,
To the just-pausing Genius we remit
Our worn-out life and are what we have been.
Thou hast not lived why should'st thou perish so?
Thou hadst one aim one business one desire
Else wert thou long since number'd with the dead.
Else hadst thou spent like other men thy fire.
The generations of thy peers are fled,
And we ourselves shall go
But thou possessest an immortal lot
And we imagine thee exempt from age
And living as thou liv'st on Glanvil's page
Because thou hadst what we alas have not.
For early didst thou leave the world, with powers
Fresh, undiverted to the world without
Firm to their mark not spent on other things
Free from the sick fatigue, the languid doubt
Which much to have tried, in much been baffled, brings.
O life unlike to ours.
Who fluctuate idly without term or scope
Of whom each strives nor knows for what he strives
And each half lives a hundred different lives
Who wait like thee but not like thee, in hope.
Thou waitest for the spark from heaven and we
Light half-believers of our casual creeds
Who never deeply felt nor clearly will'd.
Whose insight never has borne fruit in deeds,
Whose vague resolves never have been fulfiled
For whom each year we see
Breeds new beginnings, disappointments new
Who hesitate and falter life away
And lose to-morrow the ground won to-day
Ah do not we wanderer, await it too?
Yes we await it but it still delays
And then we suffer and amongst us one
Who most has suffer'd takes dejectedly
His seat upon the intellectual throne
And all his store of sad experience he
Lays bare of wretched days
Tells us his misery's birth and growth and signs
And how the dying spark of hope was fed
And how the breast was soothed and how the head
And all his hourly varied anodynes.
This for our wisest and we others pine
And wish the long unhappy dream would end
And waive all claim to bliss and try to bear
With close-lipp'd patience for our only friend.
Sad patience too near neighbour to despair
But none has hope like thine
Thou through the fields and through the woods dost stray
Roaming the countryside a truant boy
Nursing thy project in unclouded joy
And every doubt long blown by time away.
O born in days when wits were fresh and clear
And life ran gaily as the sparkling Thames
Before this strange disease of modern life
With its sick hurry its divided aims
Its heads o'ertax'd its palsied hearts was rife
Fly hence our contact fear
Still fly plunge deeper in the bowering wood
Averse as Dido did with gesture stern
From her false friend's approach in Hades turn
Wave us away and keep thy solitude
Still nursing the unconquerable hope
Still clutching the inviolable shade
With a free onward impulse brushing through
By night the silver'd branches of the glade
Far on the forest skirts where none pursue
On some mild pastoral slope
Emerge and resting on the moonlit pales
Freshen thy flowers as in former years
With dew or listen with enchanted ears
From the dark dingles, to the nightingales
But fly our paths our feverish contact fly
For strong the infection of our mental strife
Which though it gives no bliss, yet spoils for rest
And we should win thee from thy own fair life
Like us distracted and like us unblest.
Soon, soon thy cheer would die
Thy hopes grow timorous and unfix'd thy powers
And thy clear aims be cross and shifting made
And then thy glad perennial youth would fade
Fade and grow old at last and die like ours.
Then fly our greetings fly our speech and smiles
As some grave Tyrian trader from the sea
Decried at sunrise an emerging prow
Lifting the cool haired creepers stealthily
The fringes of a southward facing brow
Among the Ægæan Isles
And saw the merry Grecian coaster come
Freighted with amber grapes, and Chian wine
Green bursting figs and tunnies steep'd in brine
And knew the intruders on his ancient home
The young light-hearted masters of the waves
And snatch'd his rudder and shook out more sail
And day and night held on indignantly
O'er the blue Midland waters with the gale
Betwixt the Syrtes and soft Sicily
To where the Atlantic raves
Outside the western straits; and unbent sails
There where down cloudy cliffs, through sheets of foam
Shy traffickers, the dark Iberians come
And on the beach undid his corded bales.

Tuesday 12 June 2012

In the studio


Home Made Plastic
I am interested in trying out this technique and seeing if I can make beads from the bio plastic.  I have been experimenting recently with my papier mache beads using different papers and fabrics so they are not just made from paper. This just an idea so far but has potential. I have been wrapping and melting Tyvek to almost oblivion with a heat gun. If you try this please be sure to do it outside and do not breathe in the fumes. I read on someones blog that it was non toxic but I still get a headache if I do not work outside so take care. It may well be that I am over sensitive. I love the shifts of light to be found in iridescent tissue and in certain combinations of paints, mediums and colours such as liquitex interference colours and daler-rowney acrylic mediums They help to move colours into another dimension where the imagination has more room to roam and discover. 
With this in mind, I tried cutting strips of the iridescent tissue, which I have used for years when making papier-mache jewellery by simply gluing it to the surfaces I'm working on and combining it with silver, gold leaf and water-colour to play about with the effects. Now I am wrapping it around the melted Tyvek with a heat gun. The results are beautiful and convey just what I wanted which is a bead that reminds me of the the chrysalis stage of butterflies and/or of an imagined strange and magical seed from the ocean that could be found when beach-combing at a full moon - perhaps! These images come from writing poetry and stories so I like to follow them through into jewellery that can be seen as a talisman of transformation. Here are a few that I have made.
I have started making my own silver earring hooks as the off the shelf ones simply will not look right on these beads. They need a hook which is in sympathy with them.
Source: etsy.com via Hilary on Pinterest
 Some for sale on Etsy.


Friday 1 June 2012

Jewellery made with iridescent papier mâché beads.



I am really pleased with these iridescent papier mâché beads and think that are quite delightful. 

They are threaded and knotted onto a length of soft and flexible flat artificial black suede cord. The necklace will become even softer when worn and can be gently washed and dried flat. It is fastened by a single papier mâché bead and a simple slip knot.

The beads have a lovely silvery opalescent radiance of pale turquoises, blues, greens and pinks and a tendency to subtly reflect any colours that they are worn next to.

I make the beads by twisting, heating and melting Tyvek and iridescent tissue.
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